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Richard Matheson

Richard Matheson

1 Film

Richard Matheson

1 Included Film

Richard Matheson photo

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres. He is best known as the author of I Am Legend, a 1954 science fiction horror novel that has been adapted for the screen three times, the first of which, The Last Man on Earth, was co-scripted by him and starred Vincent Price. (The other two adaptations are The Omega Man with Charlton Heston and I Am Legend with Will Smith.) Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet" and "Steel", as well as several adaptations of Edgar Allan Poe stories for Roger Corman and American International Pictures – House of Usher, The Pit and the Pendulum, Tales of Terror and The Raven. He adapted his 1971 short story "Duel" as a screenplay directed by Steven Spielberg for the television film Duel that year. In addition, to I Am Legend and Duel, nine more of his novels and short stories have been adapted as motion pictures: The Shrinking Man (filmed as The Incredible Shrinking Man), Hell House (filmed as The Legend of Hell House), What Dreams May Come, Bid Time Return (filmed as Somewhere in Time), A Stir of Echoes, Steel (filmed as Real Steel), and Button, Button (filmed as The Box). The movie Cold Sweat was based on his novel Riding the Nightmare, and Les seins de glace ("Icy Breasts") was based on his novel Someone is Bleeding. Both Steel and Button, Button had previously been episodes of The Twilight Zone. Description above from the Wikipedia article Richard Matheson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

UHD Blu-ray
Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

Paramount 2008 Blu-ray Coppola Restoration

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

Paramount 2008 Blu-ray Coppola Restoration

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

1 film

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